Few directors in tinsel town are as qualified to direct a “remake” or “reimagining” or “readaptation” or whatever you want to call it of Lewis’ Carroll’s Alice in Wonderland than out-there auteur Tim Burton, who has long proved his mettle as a filmmaker with an insatiable penchant for psychotropic production values.

From Edward Scissorhands to Sleepy Hollow, Sweeney Todd to Charlie and the Chocolate Factory, Burton has established himself as a sort of safe facilitator of recreational drug use: if you don’t want to ingest hallucinogens but still want to experience the effects, he’s your man.

crikey.com.au
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Through Tim Burton’s Looking Glass: Making Alice in Wonderland